And this is why I hate the RIAA.
A performance of the Jimi Hendrix classic, "The Wind Cries Mary," may cost Michael Dorr his restaurant.
Dorr, the 37-year-old owner of Imbibe on Southeast Hawthorne Boulevard, has been slapped with a federal lawsuit by companies that own the rights to a trio of popular classics that were performed at Dorr's restaurant in 2005.
The songs at the center of the suit?
Other than the Hendrix song, the music companies say Stevie Wonder's "That Girl," and a 1971 tune, "Slippin' into Darkness."
Dorr says a rep from the American Society of Composers, Authors and Publishers paid an unannounced visit to his restaurant one night and heard covers of the songs performed by local band "Black Notes."
Because his place features local musicians and covers are rare, he didn't think he had to pay the musicians and publishers group an estimated $2,000 to cover performances of copyrighted tunes.
But the owners of the songs, including Wonder and Hendrix's estate, say he does.
Now they're suing Dorr for copyright infringement - and they're seeking payment of between $750 and $30,000 for each song, along with attorney fees.
"It's basically going to bankrupt me and put me out of business," Dorr said this morning. "I can't afford the lawyer and the fees. It's going to close me down."
The married father of two, who opened Imbibe a couple of years ago, said bands typically start playing after 10. But after Friday, the restaurant will do without live music because of the lawsuit.
"It's a total bummer," he said. "It's scary for me and my family. The restaurant business is hard and on top of other things, business is slow. This is the icing on the cake."
I know this story is a few months old, but I just happened across it again, and it makes me mad. This guy is trying to eke out a living by running his own restaurant, which isn't easy, and the RIAA is going to completely shut him down and take his livelihood because someone performing at his restaurant sang a few thirty-year-old songs. I've said it before and I'll say it again, the recording industry needs to collapse entirely so that it can be rebuilt without its head up its ass.