I've been an avid reader of fantasy and sci-fi books since I can remember - reading C.S. Lewis's Chronicles of Narnia, Tolkien's Lord of the Rings, and the book that really dragged me into it all - Terry Brooks's Elfstones of Shannara, which I read when I was 14. I still read a lot, and I've taken to posting reviews of the books here. Enjoy.

Invaders Plan, The, by L. Ron Hubbard

Invaders Plan, The

The Invaders Plan certainly was a disappointment after the expectations I'd developed from reading Battlefield Earth. It was a boring, predictable, and very long story told from the perspective of a simultaneously conniving and idiotic antagonist in a completely dystopian setting.

I can't imagine how or why this book and its nine sequels made the best-seller list. The characters are amongst the most unconvincing in any story I've read. The viewpoint character, as I mentioned, is a total idiot who has somehow managed to rise to a high rank in what amounts to the mafia wing of the government in this alien society, which on one hand is remarkably similar to Earth and on the other hand looks down at and scoffs Earth as primitive. He's the stereotypical unreliable narrator, only he's not well done. When the Dudley DoRight character suddenly walks in and the lecherous widow suddenly goes all weak in the knees, the evil viewpoint character becomes uncomfortable, thinking that he is the source of her twitterpation. Many such instances occur, in which he'd have to be an idiot not to see what's happening. At one point, he's making such a fool of himself that Dudley DoRight can't keep a straight face, and mister brilliant's take on it is that he's "Having a problem with his mouth", a deduction that he repeats no less than four times in two pages. Yes, we understand that what he's saying isn't the truth. Yes, we understand that this character is evil and cares nothing about anyone but himself. Where other authors approach the Unreliable Narrator with subtlety, L.Ron Hubbard hits you in the face with a sledgehammar, and then hits you a few more times for good measure.

Believe it or not, I actually read all the way through a sex scene without realizing that it was a sex scene until a character was putting on his pants. It doesn't help that the lecherous widow apparently has loud orgasms randomly throughout the day while going about ordinary daily tasks.

The protagonist, who oddly is not the main character, is everything that the viewpoint character is not. He immediately succeeds in any physical or mental task with no apparent effort, making deductions that would put Sherlock Holmes to shame and risking his life for the smallest good deed. Throughout the book, any character that meets him, however dispicable, immediately becomes his friend and turns over a new leaf. With the exception of our main character of course.

For once, I do NOT recommend this book. Spend your time doing something better, like washing dishes.

Altered Carbon, by Richard Morgan
Amber Spyglass, The, by Philip Pullman
American Gods, by Neil Gaiman
Anguished Dawn, The, by James P. Hogan
Batman: No Man's Land, by Greg Rucka
Battle Circle, by Piers Anthony
Battlefield Earth, by L. Ron Hubbard
Beasts of Barakai, The, by Mickey Zucker Reichert
Black Monday, by Scott Reiss
Broken Angels, by Richard K. Morgan
Catch Me If You Can, by Frank Abagnale
Caught in Crystal, by Patricia C. Wrede
Cell, by Stephen King
Clash of Kings, by George R. R. Martin
Contact, by Carl Sagan
Cradle of Saturn, by James P. Hogan
Daughter of the Sun, by Lonnie Ezell
Deception Point, by Dan Brown
Decipher, by Stel Pavlou
Digital Fortress, by Dan Brown
Dragon and the George, The, by Gordon Dickson
Dune, by Frank Herbert
Eldest, by Christopher Paolini
Eragon, by Christopher Paolini
Eye of the World, The, by Robert Jordan
Feast For Crows, by George R.R. Martin
Fight Club, by Chunk Palahntuk.
Flightless Falcon, by Mickey Zucker Reichert
Fool Moon, by Jim Butcher
Footfall, by Larry Niven and Jerry Pournelle
Forensic Files of Batman, by Doug Moench
Frankenstein, Book One: Prodigal Son, by Dean Koontz
Frankenstein, Book Two: City of Night, by Dean Koontz
Game of Thrones, by George R. R. Martin
Godslayer, by Mickey Zucker Reichert
Golden Compass, The, by Philip Pullman
Grave Peril, by Jim Butcher
Great Train Robbery, by Michael Crichton
High Druid of Shannara Series, by Terry Brooks
I Am Legend, by Richard Matheson
In God We Trust, by Jean Shepherd
Invaders Plan, The, by L. Ron Hubbard
Jurassic Park, by Michael Crichton
Kingdom Come, by Elliot S. Maggin, Mark Waid, Alex Ross
Last of the Renshai, by Mickey Zucker Reichert
Legend of Nightfall, The, by Mickey Zucker Reichert
Legend That Was Earth, The, by James P. Hogan
Little Brother, by Cory Doctorow
Master of the Five Magics, by Lyndon Hardy
Next, by Michael Crichton
Nor Crystal Tears, by Alan Dean Foster
Phylogenesis, by Alan Dean Foster
Prey, by Michael Crichton
Return of Nightfall, by Mickey Zucker Reichert
Runelords, by David Farland
Seventh Son, by Orson Scott Card
Sleeping Dragon, The, by Joel Rosenberg
Stand, The, by Stephen King
Starship Troopers, by Robert Heinlein
State of Fear, by Michael Crichton
Storm Front, by Jim Butcher
Storm of Swords, by George R.R. Martin
Subtle Knife, The, by Philip Pullman
Summer Knight, by Jim Butcher
Sword of Shannara, by Terry Brooks
Swords Against Deviltry, by Fritz Leiber
The 4400: The Vesuvius Prophecy, by Greg Cox
The Flash: Stop Motion, by Mark Schultz
The Postman, by David Brin
Time Travelers Wife, The, by Audrey Niffenegger
Timescape, by Gregory Benford
Twilight Eyes, by Dean Koontz
Two Faces of Tomorrow, The, by James Hogan
Wild Cards, by George R.R. Martin
Wizard's First Rule, by Terry Goodkind
Woken Furies, by Richard K. Morgan
World War Z, by Max Brooks